I just returned from a week in
paradise Victoria, BC, at DHSI 2015. This year I did a data visualization workshop with Aimee Knight. I’ve lots to say about Aimée’s wonderful pedagogy, the focus and structure of the workshop, and some of my favorite new tools, but for now I’m just posting our shared notes and tweets here for everyone’s use:... Read More | Share it now!
Yesterday, on the final day of HASTAC 2015, I joined an online hangout as a “conference buddy” facilitating discussion between two other HASTAC participants, Mia Zamora and Ana Salter, and a number of online friends, Maha Bali, Rebecca Hogue, and others. (View the hangout here.) I’d participated in this kind of informal virtual conference chat once before, at #et4online, but this time I acted as the convener, bringing together the conference attendees in a quiet space so that we could chat with those participating from elsewhere.... Read More | Share it now!
Went to see “The Salt of the Earth” last night, and I’m haunted today by Salgado’s devastating images of labor, of suffering, of “bare life” in Rwanda and Congo and the former Yugoslavia. Don’t miss this film. Though flawed (wish it had explored the ethics of such witnessing of horror) it is incredibly powerful–made more so by a large screen.... Read More | Share it now!
I have been looking forward to #rhizo15 for a few months now. I was traveling during the last round of #rhizo, but I keep seeing people I enjoy using the hashtag, so I’ve been chomping at the bit to join in! Despite that enthusiasm, though, I am coming to the party a week (or three) late, since April truly is the cruelest (grading) month when you teach on a north american semester schedule.... Read More | Share it now!
Fall semester has just ended, my desk is piled with papers to mark, and I find myself procrasti-planning future courses. I’ve been re-reading Paula Byrne’s The Real Jane Austen, a biography written through traces of material culture extant from Austen’s life and featured in her novels. As others have written, Byrne’s biography is an innovative approach to understanding Austen, and reads like a “delightful rummage through a Regency chest of drawers” (Looser). Such an approach offers a sense of intimate access to the writer’s lived experience, an achievement that makes reading the biography both satisfying and self-aware of biography’s generic voyeurism.... Read More | Share it now!